The major distinction between classical and romantic values is that classicists
promote development of the intellect, reason and logic (which includes tempering
of the emotions), while romantic focus on emotion, often extremes of emotion.
Classical values began in classical antiquity (the philosophers of ancient Greece
of the emotions), while romantic focus on emotion, often extremes of emotion.
Classical values began in classical antiquity (the philosophers of ancient Greece
and Rome). Romantics values mostly come from medieval Europe (Romantics
also valued the works of the Greek tragedians).
Classicists celebrate society (its public) and promote its amelioration; romantics
Classicists celebrate society (its public) and promote its amelioration; romantics
promote individuality and subjectivity (its private / personal).
Classical art usually displays calmness, serenity, and happiness while romantic
art often displays melancholy, anger, ecstasy, emotional volatility, and often tragedy.
In the Visual Arts
1. Classical artists prefer straight horizonal and vertical lines, right angles, and
Classical art usually displays calmness, serenity, and happiness while romantic
art often displays melancholy, anger, ecstasy, emotional volatility, and often tragedy.
In the Visual Arts
1. Classical artists prefer straight horizonal and vertical lines, right angles, and
rectangles
Romantic artists prefer diagonal lines and curves
2. Classical artists prefer clear, crisp outlines of their figures
Romantic artists prefer less distinct, smudged outlines
3. Classical artists usually prefer brightness (sunshine)
Romantic artists often prefer darkness (clouds, storms, turbulent waters)
Mysterious
Mystical, Spooky
In MusicRomantic artists prefer diagonal lines and curves
2. Classical artists prefer clear, crisp outlines of their figures
Romantic artists prefer less distinct, smudged outlines
3. Classical artists usually prefer brightness (sunshine)
Romantic artists often prefer darkness (clouds, storms, turbulent waters)
Early 16th Century (Renaissance) - Classical
Development of the intellect, emotional security
Early 17th Century (Baroque) - Romantic
Spooky, Ominous
Early 18th Century (Baroque) - Romantic
Busy, Complicated, Emotional, Sensual
Late 1700s - Classical
Simple, Clean, Elegant, Refined
Intellectual, calmness, security, morality, strength of character
Early 19th Century - Romantic
Mayhem, Tragedy
Emotionalism, Mental Instability
1. Classical composers prefer a steady pulse, like a clock (stability)
Romantic composers often speed up or slow down the pulse: rubato (flux)
2. Classical composers prefer a steady flow of notes (predictability)
Romantic composers often use hesitation, sudden stops, dramatic silences (surprise)
3. Classical composers use consistent volumes or moderate volume changes (tempered
emotions)
Romantic composers often change volumes quickly and drastically (emotional
Romantic composers often change volumes quickly and drastically (emotional
extremes)
4. Classical composers usually use major keys and scales (bright & cheery)
and consonance (pleasant harmonies) Online piano
Romantic composers often use minor keys (dark, unhappy) and dissonance
(unpleasant harmonies / notes that clash)
5. Classical usually produce a single, clear melody with distinct harmonies
Romantic composers often produce somewhat blurrier melody lines and
4. Classical composers usually use major keys and scales (bright & cheery)
and consonance (pleasant harmonies) Online piano
Romantic composers often use minor keys (dark, unhappy) and dissonance
(unpleasant harmonies / notes that clash)
5. Classical usually produce a single, clear melody with distinct harmonies
Romantic composers often produce somewhat blurrier melody lines and
ambiguous harmonies
6. Classical composers like to stress the form and logic of their works, seemingly
saying to listeners "Did you notice how well planned and organized my work is?"
Romantic composers tend to hide this aspect of their composing, instead giving the
Romantic composers tend to hide this aspect of their composing, instead giving the
impression that the music is a spontaneous outpouring of emotion, as in the
genre impromptu.
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